
In Minnesota USA, where we live, the fern are beginning to unfurl and the rhubarb is almost ready to pick. If I peek underneath those magical leaves I just might find a doorway to the world of fairies and Pippsywoggins. I can imagine that they might be rolling up their winter cloaks and sweeping away the debris from their front steps. Along with those thoughts come visions of fairy gardens springing up in backyards and parks across the land.
In the meantime, there is much in our world to reflect on besides fairy doors and tiny brooms sweeping away the dust. There are ponderings over diversity, inclusion, representation and compassion. There is real heartache and division. Grief. Anger. Despair. And joy. And, always, love. Somewhere. Waiting to be realized. For me, making art and telling stories is one way to process those feelings and sift through my thoughts. I may be creating a world of fairy folk and what looks like fluff, but embedded in all of that is a very serious “medicine”. Making art is a tonic that gives me a voice, expresses a message and reflects back to me who I am in the world. Looking at what I have created makes me smile but it also causes me to ask questions of myself. To reflect. To change and to grow.
If you’d like to explore a little bit of “fairy medicine”, consider making a wee character similar to the ones pictured here. These are made from Super Sculpey Living Doll polymer clay, pipe cleaners, fibers and felt. The faces, hands and feet are made from our molds wf1, f11h and f12f. Choose colors and materials that reflect your story in the world. Have a conversation with your little creations to see what it is that they have to say. You might be surprised! At least you’ll smile at the thought. At least that’s my hope!
NOTE: For help with the structure of the characters, see our 28-page FREE ARMATURE TUTORIAL athttps://www.weefolk.com/getting-started-making-doll-bodies.pdf
Brigitta never imagined it, but, from that day on, she was different. The story that she now told about herself included the experience of the owl. Her world was bigger. There were clearer windows, wide-open doors and lower walls. She had made a connection with mystery.
Sculpey Polymer Clay plus a bit of wire and foil. Tucked into the concept is a dash of imagination, the influence of Harry Potter and James Christensen, a fascination with birds that was nurtured by my mother, AnaBel Zelenak Crowell Peck, and a delightful polymer clay technique that I learned from Maggie Maggio called Color Washing.
sitting in my kitchen at the old rural school desk that is tucked in between the refrigerator and the corner cupboard. I’m drinking coffee and practicing being present, being aware. It helps that I’m on my 3rd cup of coffee! I’m trying to get back into a daily spiritual practice, and, am doing so, in bits and spurts. I’m reminded of what Yoda said, “Do or do not. There is no try.” Hmmmm. I breathe slowly, in and out, and notice what I am seeing.
morning! I keep losing her among the limbs, but then she stops and investigates something. Is the sap starting to seep out of the Maple Tree? And do squirrels like it?



